Click to get a bigger picture
This little Georgian pile used to be a grocery shop, not originally, mind you, just in the sixties, the 1960's that is. Google images came to the rescue as usual with references for shop fronts of bygone days, which believe it or not, I can still remember, and the fabulous shopping bags, string, woven plastic and wicker. Those large oval baskets where still in use in the 70's, accompanying their smock coated, granny booted, diamante hairgripped owners at Watford Technical High School.
Here we have another adventure from the lady in red, the joy of waking up to a giant scone. As you see, I sometimes have an interesting space to fill, so furniture arranging and scale was a big issue. Filling up with extra tables and chairs was an option, but as these illustrations operate on the gag style, using only just enough elements to set the scene is essential. Eye level and standing point give a credible view; it doesn't matter how wacky the subject is, the actual space has to look feasible. Until the next one!
This months, apart from hunting down references for pedestal side tables and winged armchairs, this illustration was pretty straightforward. As the familiar sight of the roundabout got a mention, I figured it was daft for me to re-invent it, as I already had a suitable drawing I could get some more use out of.
Saturday was an Urban Sketchers day, so I headed down to the NHM to my beloved mineral room to squint at the fabulous specimens in their glass cases. For my next three gem cards, I want to do opals, tourmalines and beryls, and I fancied including some crystals and a massive. This sort of drawing is pretty intense, partly because these objects were rather small, and because crystal growth is relatively new to me. As usual, angles and proportion are very important, and to get an accurate representation, one must pay attention to them.
There is the stretch one has to do before the pencil layout stage, drawing the background to fit the space allocated, designing figures, which here included research on barristers' wigs and robes, and getting poses right. As usual, scissors, a glue stick and tracing paper where very much in use. I ink with Carbon ink because it's totally waterproof, so I can paint without any fear of vile smudging. I like to have an edge I can work to, or from, as I see fit. You can click on the images for a bigger picture if you like. Will appear in the next issue of the South Woodford Village Gazette.
Redbridge Lakes for the Sept/October South Woodford Village Gazette. Apart from the lady and mushroom group, the rest was painted from references I found on Images. I even had a fabulous time doing a coloured pencil study of the hunting Robertson tartan! Mainly because that was the one we had as a child, but also because I needed something which would pick up the colours in the rest of the piece, without it taking over. Click to enlarge if you want to.